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Aston, James, and John Walliss, eds. To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror. Jefferson, North Carolina: McFarland & Company, 2013. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781476603803>.
Badley, Linda. Film, Horror, and the Body Fantastic. Contributions to the study of popular culture. Westport, Conn: Greenwood Press, 1995. Print.
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Benson-Allott, C. ‘Dreadful Architecture: Zones of Horror in Alien and Lee Bontecous Wall Sculptures’. Journal of Visual Culture 14.3 (2015): 267–278. Web.
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Botting, Fred. Gothic. Second edition. The new critical idiom. London: Routledge, 2014. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203487716>.
---. Limits of Horror: Technology, Bodies, Gothic. Manchester: Manchester University Press, 2011. Print.
Botting, Fred, and Dale Townshend. Gothic: Critical Concepts in Literary and Cultural Studies. Critical concepts in literary and cultural studies. London: Routledge, 2004. Print.
Bourgault du Coudray, Chantal. The Curse of the Werewolf: Fantasy, Horror and the Beast Within. London: I. B. Tauris, 2006. Print.
Briefel, Aviva, and Sam J. Miller, eds. Horror after 9/11: World of Fear, Cinema of Terror. 1st ed. Austin, Tex: University of Texas Press, 2011. Print.
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Carroll, Noèel and Myilibrary. The Philosophy of Horror, or, Paradoxes of the Heart. New York: Routledge, 1990. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D7216>.
Cavallaro, Dani. The Gothic Vision: Three Centuries of Horror, Terror and Fear. London: Continuum, 2002. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781847141897>.
Cherry, Brigid. Horror. Routledge film guidebooks. London: Routledge, 2009. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203882184>.
Cherry, Brigid, Peter Howell, and Caroline Ruddell. Twenty-First-Century Gothic. Newcastle: Cambridge Scholars, 2010. Print.
Chibnall, Steve, Julian Petley, and Myilibrary. British Horror Cinema. British popular cinema. London: Routledge, 2002. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D11328>.
Clover, Carol J. Men Women and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton University Press, 1992. Print.
Comentale, Edward P., and Aaron Jaffe, eds. The Year’s Work at the Zombie Research Center. The year’s work: studies in fan culture and cultural theory. Bloomington, Ind: Indiana University Press, 2014. Print.
Conrich, Ian. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. London: I. B. Tauris, 2010. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9786000018733>.
Creed, Barbara. Phallic Panic: Film, Horror and the Primal Uncanny. Carlton, Victoria: Melbourne University Press, 2005. Print.
---. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Popular fiction series. London: Routledge, 1993. Print.
Elferen, Isabella van. Gothic Music: The Sounds of the Uncanny. Gothic literary studies. Cardiff: University of Wales Press, 2012. Print.
Eugenie Brinkema. ‘Journal of Visual Culture’. 14 n. pag. Web. <http://vcu.sagepub.com/content/14/3.toc>.
Fahy, Thomas Richard. The Philosophy of Horror. The philosophy of popular culture. Lexington, Ky: University Press of Kentucky, 2012. Print.
Fowkes, Katherine A. The Fantasy Film. New approaches to film genre. Chichester: Wiley-Blackwell, 2010. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781444320596>.
Freeland, Cynthia A. The Naked and the Undead: Evil and the Appeal of Horror. Thinking through cinema. Boulder, Colo: Westview Press, 2000. Print.
Freud, Sigmund. ‘“The Uncanny”’. 1919. Web. <http://users.clas.ufl.edu/burt/uncanny.pdf>.
Freud, Sigmund, David McLintock, and Hugh Haughton. The Uncanny. Penguin classics. New York: Penguin Books, 2003. Print.
Furby, Jacqueline, and Claire Hines. Fantasy. Routledge film guidebooks. London: Routledge, 2012. Print.
Gelder, Ken. Horror Reader. Routledge, 2000. Print.
Grant, Barry Keith. Film Genre Reader III. Austin, Tex: University of Texas Press, 2003. Print.
---. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press, 1996. Print.
Grant, Barry Keith, and Christopher Sharrett. Planks of Reason: Essays on the Horror Film. Rev. ed. Lanham, Md: Scarecrow Press, 2004. Print.
Halfyard, Janet K. The Music of Fantasy Cinema. Genre, music and sound. Sheffield: Equinox, 2012. Print.
Hand, Richard J., and Jay McRoy. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester: Manchester University Press, 2007. Print.
Hantke, Steffen, ed. American Horror Film: The Genre at the Turn of the Millennium. Jackson: University Press of Mississippi, 2010. Print.
Hayward, Philip. Terror Tracks: Music, Sound and Horror Cinema. Genre, music and sound. London: Equinox, 2009. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781845537302>.
Hill, Annette. Paranormal Media: Audiences, Spirits, and Magic in Popular Culture. London: Routledge, 2011. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203836392>.
Hills, Matt. The Pleasures of Horror. London: Continuum, 2005. Print.
Humphries, Reynold. The American Horror Film: An Introduction. Edinburgh: Edinburgh University Press, 2002. Print.
Hutchings, Peter. Hammer and beyond: The British Horror Film. Manchester: Manchester University Press, 1993. Print.
---. The A to Z of Horror Cinema. The A to Z Guide Series. Lanham, MD: Scarecrow Press, 2008. Print.
---. The Horror Film. Inside film. Abingdon: Routledge, 2013. Print.
Jackson, Rosemary. Fantasy: The Literature of Subversion. New accents. London: Methuen, 1981. Print.
Jancovich, Mark. Horror. Batsford cultural studies. B.T.Batsford, 1992. Print.
---. Rational Fears: American Horror in the 1950s. Manchester: Manchester University Press, 1996. Print.
Jancovich, Mark and Myilibrary. Horror, the Film Reader. In Focus-Routledge Film Readers. London: Routledge, 2002. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D40846>.
Johnson, Catherine. Telefantasy. London: BFI Publishing, 2005. Print.
Jones, Steve. Torture Porn: Popular Horror after Saw. Basingstoke: Palgrave Macmillan, 2013. Print.
Jowett, Lorna, and Stacey Abbott. TV Horror: Investigating the Darker Side of the Small Screen. London: I.B. Tauris, 2013. Print.
King, Geoff. The Spectacle of the Real: From Hollywood to ‘reality’ TV and Beyond. Bristol: Intellect, 2005. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781841509181>.
Koven, Mikel J. ‘Most Haunted and the Convergence of Traditional Belief and Popular Television.’ Folklore 118.2 83–202. Web. <http://proxy.library.lincoln.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=25902137&site=eds-live&scope=site>.
Kristeva, Julia. Powers of Horror: An Essay on Abjection. Columbia, 1982. Print.
Lerner, Neil William. Music in the Horror Film: Listening to Fear. Routledge music and screen media series. London: Routledge, 2010. Print.
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Ndalianis, Angela. The Horror Sensorium: Media and the Senses. Jefferson, NC: McFarland & Co, 2012. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780786490431>.
Newman, Kim. Nightmare Movies: A Critical History of the Horror Film, 1968-88. New ed. London: Bloomsbury, 1988. Print.
Peirse, Alison, and Daniel Martin. Korean Horror Cinema. Edinburgh: Edinburgh University Press, 2013. Print.
Pheasant-Kelly, Frances. Fantasy Film Post 9/11. Basingstoke: Palgrave Macmillan, 2013. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780230392137>.
Pilar Blanco, Marâia del, and Esther Peeren. Popular Ghosts: The Haunted Spaces of Everyday Culture. London: Continuum, 2010. Print.
Pinedo, Isabel Cristina. Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany, N.Y.: State University of New York Press, 1997. Print.
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Powell, Anna and Myilibrary. Deleuze and Horror Film. Edinburgh: Edinburgh University Press, 2005. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D15425>.
Prince, Stephen. The Horror Film. Rutgers depth of field series. New Brunswick, N.J.: Rutgers University Press, 2004. Print.
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Schneider, Steven Jay and Myilibrary. Horror Film and Psychoanalysis: Freud’s Worst Nightmare. Cambridge studies in film. New York: Cambridge University Press, 2004. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D54112>.
Schneider, Steven Jay, and Tony Williams. Horror International. Contemporary approaches to film and television. Detroit: Wayne State University Press, 2005. Print.
Sedlmayr, Gerold, and Nicole Waller, eds. Politics in Fantasy Media: Essays on Ideology and Gender in Fiction, Film, Television and Games. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2014. Print.
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Skal, David J. The Monster Show: A Cultural History of Horror. London: Plexus, 1994. Print.
Spooner, Catherine. Contemporary Gothic. Focus on contemporary issues. London: Reaktion, 2006. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781861895585>.
Spooner, Catherine, Emma McEvoy, and Myilibrary. The Routledge Companion to Gothic. London: Routledge, 2007. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D101806>.
Thacker, Eugene. In the Dust of This Planet. Horror of philosophy. Winchester: Zero Books, 2011. Print.
Tibbetts, John C. The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media. New York: Palgrave Macmillan, 2011. Web. <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780230337961>.
Trigg, Dylan. The Thing: A Phenomenology of Horror. Winchester: Zero Books, 2014. Print.
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Wheatley, Helen. Gothic Television. Manchester: Manchester University Press, 2006. Print.
Williams, Gilda. The Gothic. Documents of contemporary art. London: Whitechapel, 2007. Print.
Williamson, Milly. The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy. London: Wallflower Press, 2005. Print.
Worland, Rick. The Horror Film: An Introduction. Oxford: Blackwell Publishing, 2007. Print.
Worley, Alec. Empires of the Imagination: A Critical Survey of Fantasy Cinema from Georges Mâeliáes to The Lord of the Rings. Jefferson, N.C.: McFarland & Co, 2005. Print.