Allmer, P., Brick, E., & Huxley, D. (Eds.). (2012a). European nightmares: horror cinema in Europe since 1945. Wallflower Press.
Allmer, P., Brick, E., & Huxley, D. (Eds.). (2012b). European nightmares: horror cinema in Europe since 1945. Wallflower Press.
Aston, J., & Walliss, J. (Eds.). (2013). To see the Saw movies: essays on torture porn and post-9/11 horror [Ebook]. McFarland & Company. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781476603803
Badley, L. (1995). Film, horror, and the body fantastic: Vol. Contributions to the study of popular culture. Greenwood Press.
Balmain, C. (2008). Introduction to Japanese horror film. Edinburgh University Press.
Benson-Allott, C. (2015). Dreadful Architecture: Zones of Horror in Alien and Lee Bontecous Wall Sculptures. Journal of Visual Culture, 14(3), 267–278. https://doi.org/10.1177/1470412915607926
Blanco, M. del P., & Peeren, E. (2013). The spectralities reader: ghosts and haunting in contemporary cultural theory. Bloomsbury Academic.
Botting, F. (2011). Limits of horror: technology, bodies, gothic. Manchester University Press.
Botting, F. (2014). Gothic: Vol. The new critical idiom (Second edition) [Book; ebook]. Routledge. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203487716
Botting, F., & Townshend, D. (2004). Gothic: critical concepts in literary and cultural studies: Vol. Critical concepts in literary and cultural studies. Routledge.
Bourgault du Coudray, C. (2006). The curse of the werewolf: fantasy, horror and the beast within. I. B. Tauris.
Briefel, A., & Miller, S. J. (Eds.). (2011). Horror after 9/11: world of fear, cinema of terror (1st ed). University of Texas Press.
Butler, D. (2009). Fantasy cinema: impossible worlds on screen: Vol. Short cuts. Wallflower Press.
Carroll, N. & Myilibrary. (1990). The philosophy of horror, or, Paradoxes of the heart [Book; ebook]. Routledge. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D7216
Cavallaro, D. (2002). The gothic vision: three centuries of horror, terror and fear [Ebook]. Continuum. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781847141897
Cherry, B. (2009). Horror: Vol. Routledge film guidebooks [Book; ebook]. Routledge. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203882184
Cherry, B., Howell, P., & Ruddell, C. (2010). Twenty-first-century gothic. Cambridge Scholars.
Chibnall, S., Petley, J., & Myilibrary. (2002). British horror cinema: Vol. British popular cinema [Book; ebook]. Routledge. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D11328
Clover, C. J. (1992). Men women and chainsaws: gender in the modern horror film. Princeton University Press.
Comentale, E. P., & Jaffe, A. (Eds.). (2014). The year’s work at the Zombie Research Center: Vol. The year’s work: studies in fan culture and cultural theory. Indiana University Press.
Conrich, I. (2010). Horror zone: the cultural experience of contemporary horror cinema [Ebook]. I. B. Tauris. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9786000018733
Creed, B. (1993). The monstrous-feminine: film, feminism, psychoanalysis: Vol. Popular fiction series. Routledge.
Creed, B. (2005). Phallic panic: film, horror and the primal uncanny. Melbourne University Press.
Elferen, I. van. (2012). Gothic music: the sounds of the uncanny: Vol. Gothic literary studies. University of Wales Press.
Eugenie Brinkema. (n.d.). Journal of Visual Culture. 14. http://vcu.sagepub.com/content/14/3.toc
Fahy, T. R. (2012). The philosophy of horror: Vol. The philosophy of popular culture. University Press of Kentucky.
Fowkes, K. A. (2010). The fantasy film: Vol. New approaches to film genre [Book; ebook]. Wiley-Blackwell. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781444320596
Freeland, C. A. (2000). The naked and the undead: evil and the appeal of horror: Vol. Thinking through cinema. Westview Press.
Freud, S. (1919). ‘The Uncanny’. The Hogarth Press and the Institute of Psycho-analysis. http://users.clas.ufl.edu/burt/uncanny.pdf
Freud, S., McLintock, D., & Haughton, H. (2003). The uncanny: Vol. Penguin classics. Penguin Books.
Furby, J., & Hines, C. (2012). Fantasy: Vol. Routledge film guidebooks. Routledge.
Gelder, K. (2000). Horror Reader. Routledge.
Grant, B. K. (1996). The dread of difference: gender and the horror film. University of Texas Press.
Grant, B. K. (2003). Film genre reader III. University of Texas Press.
Grant, B. K., & Sharrett, C. (2004). Planks of reason: essays on the horror film (Rev. ed). Scarecrow Press.
Halfyard, J. K. (2012). The music of fantasy cinema: Vol. Genre, music and sound. Equinox.
Hand, R. J., & McRoy, J. (2007). Monstrous adaptations: generic and thematic mutations in horror film. Manchester University Press.
Hantke, S. (Ed.). (2010). American horror film: the genre at the turn of the millennium. University Press of Mississippi.
Hayward, P. (2009). Terror tracks: music, sound and horror cinema: Vol. Genre, music and sound [Book; ebook]. Equinox. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781845537302
Hill, A. (2011). Paranormal media: audiences, spirits, and magic in popular culture [Book; ebook]. Routledge. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203836392
Hills, M. (2005). The pleasures of horror. Continuum.
Humphries, R. (2002). The American horror film: an introduction. Edinburgh University Press.
Hutchings, P. (1993). Hammer and beyond: the British horror film. Manchester University Press.
Hutchings, P. (2008). The A to Z of horror cinema: Vol. The A to Z Guide Series. Scarecrow Press.
Hutchings, P. (2013). The horror film: Vol. Inside film. Routledge.
Jackson, R. (1981). Fantasy: the literature of subversion: Vol. New accents. Methuen.
Jancovich, M. (1992). Horror: Vol. Batsford cultural studies. B.T.Batsford.
Jancovich, M. (1996). Rational fears: American horror in the 1950s. Manchester University Press.
Jancovich, M. & Myilibrary. (2002). Horror, the film reader: Vol. In Focus-Routledge Film Readers [Book; ebook]. Routledge. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D40846
Johnson, C. (2005). Telefantasy. BFI Publishing.
Jones, S. (2013). Torture porn: popular horror after Saw. Palgrave Macmillan.
Jowett, L., & Abbott, S. (2013). TV horror: investigating the darker side of the small screen. I.B. Tauris.
King, G. (2005). The spectacle of the real: from Hollywood to ‘reality’ TV and beyond [Book; ebook]. Intellect. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781841509181
Koven, Mikel J. (n.d.). Most Haunted and the Convergence of Traditional Belief and Popular Television. Folklore, 118(2), 83–202. http://proxy.library.lincoln.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=25902137&site=eds-live&scope=site
Kristeva, J. (1982). Powers of horror: an essay on abjection. Columbia.
Lerner, N. W. (2010). Music in the horror film: listening to fear: Vol. Routledge music and screen media series. Routledge.
Levina, M., & Bui, D.-M. T. (2013). Monster culture in the 21st century: a reader. Bloomsbury Academic.
Luckhurst, R. (2014). Alien: Vol. BFI film classics. Palgrave Macmillan on behalf of the British Film Institute.
McRoy, J. (2005). Japanese horror cinema. Edinburgh University Press.
McRoy, J. (2008). Nightmare Japan: contemporary Japanese horror cinema. Editions Rodopi B.V.
Mendik, X., & Harper, G. (2000). Unruly pleasures: the cult film and its critics. FAB Press.
Mendlesohn, F., & James, E. (2009). A short history of fantasy. Middlesex University Press.
Ndalianis, A. (2012). The horror sensorium: media and the senses [Book; ebook]. McFarland & Co. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780786490431
Newman, K. (1988). Nightmare movies: a critical history of the horror film, 1968-88 (New ed). Bloomsbury.
Peirse, A., & Martin, D. (2013). Korean horror cinema. Edinburgh University Press.
Pheasant-Kelly, F. (2013). Fantasy film post 9/11 [Ebook]. Palgrave Macmillan. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780230392137
Pilar Blanco, M. del, & Peeren, E. (2010). Popular ghosts: the haunted spaces of everyday culture. Continuum.
Pinedo, I. C. (1997). Recreational terror: women and the pleasures of horror film viewing. State University of New York Press.
Pirie, D. (2008). A new heritage of horror: the English Gothic cinema. I. B. Tauris.
Powell, A. & Myilibrary. (2005). Deleuze and horror film [Book; ebook]. Edinburgh University Press. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D15425
Prince, S. (2004). The horror film: Vol. Rutgers depth of field series. Rutgers University Press.
Schneider, S. J. (2003). Fear without frontiers: horror cinema across the globe. FAB Press.
Schneider, S. J. & Myilibrary. (2004). Horror film and psychoanalysis: Freud’s worst nightmare: Vol. Cambridge studies in film [Book; e-book]. Cambridge University Press. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D54112
Schneider, S. J., & Williams, T. (2005). Horror international: Vol. Contemporary approaches to film and television. Wayne State University Press.
Sedlmayr, G., & Waller, N. (Eds.). (2014). Politics in fantasy media: essays on ideology and gender in fiction, film, television and games. McFarland & Company, Inc., Publishers.
Silver, A., & Ursini, J. (2000). Horror film reader. Limelight Editions.
Skal, D. J. (1994). The monster show: a cultural history of horror. Plexus.
Spooner, C. (2006). Contemporary Gothic: Vol. Focus on contemporary issues [Book; ebook]. Reaktion. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781861895585
Spooner, C., McEvoy, E., & Myilibrary. (2007). The Routledge companion to Gothic [Book; ebook]. Routledge. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D101806
Thacker, E. (2011). In the dust of this planet: Vol. Horror of philosophy. Zero Books.
Tibbetts, J. C. (2011). The gothic imagination: conversations on fantasy, horror, and science fiction in the media [Book; ebook]. Palgrave Macmillan. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780230337961
Trigg, D. (2014). The thing: a phenomenology of horror. Zero Books.
Tudor, A. (1989). Monsters and mad scientists: a cultural history of the horror movie. Basil Blackwell.
Walters, J. (2011). Fantasy film: a critical introduction (English edition). Berg.
Wells, P. (2000). The horror genre: from Beelzebub to Blair Witch: Vol. Short cuts. London, Wallflower.
Wetmore, K. J. (2012). Post-9/11 horror in American cinema. Continuum.
Wheatley, H. (2006). Gothic television. Manchester University Press.
Williams, G. (2007). The Gothic: Vol. Documents of contemporary art. Whitechapel.
Williamson, M. (2005). The lure of the vampire: gender, fiction and fandom from Bram Stoker to Buffy. Wallflower Press.
Worland, R. (2007). The horror film: an introduction. Blackwell Publishing.
Worley, A. (2005). Empires of the imagination: a critical survey of fantasy cinema from Georges Mâeliáes to The lord of the rings. McFarland & Co.