Allmer, Patricia, Emily Brick, and D. Huxley, eds. 2012a. European Nightmares: Horror Cinema in Europe since 1945. Wallflower Press.
Allmer, Patricia, Emily Brick, and D. Huxley, eds. 2012b. European Nightmares: Horror Cinema in Europe since 1945. Wallflower Press.
Aston, James, and John Walliss, eds. 2013. To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror. McFarland & Company. Ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781476603803.
Badley, Linda. 1995. Film, Horror, and the Body Fantastic. Contributions to the study of popular culture. Greenwood Press.
Balmain, Colette. 2008. Introduction to Japanese Horror Film. Edinburgh University Press.
Benson-Allott, C. 2015. ‘Dreadful Architecture: Zones of Horror in Alien and Lee Bontecous Wall Sculptures’. Journal of Visual Culture 14 (3): 267–78. https://doi.org/10.1177/1470412915607926.
Blanco, Marâia del Pilar, and Esther Peeren. 2013. The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. Bloomsbury Academic.
Botting, Fred. 2011. Limits of Horror: Technology, Bodies, Gothic. Manchester University Press.
Botting, Fred. 2014. Gothic. Second edition. The new critical idiom. Routledge. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203487716.
Botting, Fred, and Dale Townshend. 2004. Gothic: Critical Concepts in Literary and Cultural Studies. Critical concepts in literary and Cultural studies. Routledge.
Bourgault du Coudray, Chantal. 2006. The Curse of the Werewolf: Fantasy, Horror and the Beast Within. I. B. Tauris.
Briefel, Aviva, and Sam J. Miller, eds. 2011. Horror after 9/11: World of Fear, Cinema of Terror. 1st ed. University of Texas Press.
Butler, David. 2009. Fantasy Cinema: Impossible Worlds on Screen. Short cuts. Wallflower Press.
Carroll, Noèel and Myilibrary. 1990. The Philosophy of Horror, or, Paradoxes of the Heart. Routledge. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D7216.
Cavallaro, Dani. 2002. The Gothic Vision: Three Centuries of Horror, Terror and Fear. Continuum. Ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781847141897.
Cherry, Brigid. 2009. Horror. Routledge film guidebooks. Routledge. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203882184.
Cherry, Brigid, Peter Howell, and Caroline Ruddell. 2010. Twenty-First-Century Gothic. Cambridge Scholars.
Chibnall, Steve, Julian Petley, and Myilibrary. 2002. British Horror Cinema. British popular cinema. Routledge. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D11328.
Clover, Carol J. 1992. Men Women and Chainsaws: Gender in the Modern Horror Film. Princeton University Press.
Comentale, Edward P., and Aaron Jaffe, eds. 2014. The Year’s Work at the Zombie Research Center. The year’s work: studies in fan culture and Cultural theory. Indiana University Press.
Conrich, Ian. 2010. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. I. B. Tauris. Ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9786000018733.
Creed, Barbara. 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Popular fiction series. Routledge.
Creed, Barbara. 2005. Phallic Panic: Film, Horror and the Primal Uncanny. Melbourne University Press.
Elferen, Isabella van. 2012. Gothic Music: The Sounds of the Uncanny. Gothic literary studies. University of Wales Press.
Eugenie Brinkema. n.d. Journal of Visual Culture. 14. http://vcu.sagepub.com/content/14/3.toc.
Fahy, Thomas Richard. 2012. The Philosophy of Horror. The philosophy of popular culture. University Press of Kentucky.
Fowkes, Katherine A. 2010. The Fantasy Film. New approaches to film genre. Wiley-Blackwell. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781444320596.
Freeland, Cynthia A. 2000. The Naked and the Undead: Evil and the Appeal of Horror. Thinking through cinema. Westview Press.
Freud, Sigmund. 1919. ‘The Uncanny’. The Hogarth Press and the Institute of Psycho-analysis. http://users.clas.ufl.edu/burt/uncanny.pdf.
Freud, Sigmund, David McLintock, and Hugh Haughton. 2003. The Uncanny. Penguin classics. Penguin Books.
Furby, Jacqueline, and Claire Hines. 2012. Fantasy. Routledge film guidebooks. Routledge.
Gelder, Ken. 2000. Horror Reader. Routledge.
Grant, Barry Keith. 1996. The Dread of Difference: Gender and the Horror Film. University of Texas Press.
Grant, Barry Keith. 2003. Film Genre Reader III. University of Texas Press.
Grant, Barry Keith, and Christopher Sharrett. 2004. Planks of Reason: Essays on the Horror Film. Rev. ed. Scarecrow Press.
Halfyard, Janet K. 2012. The Music of Fantasy Cinema. Genre, Music and Sound. Equinox.
Hand, Richard J., and Jay McRoy. 2007. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester University Press.
Hantke, Steffen, ed. 2010. American Horror Film: The Genre at the Turn of the Millennium. University Press of Mississippi.
Hayward, Philip. 2009. Terror Tracks: Music, Sound and Horror Cinema. Genre, Music and Sound. Equinox. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781845537302.
Hill, Annette. 2011. Paranormal Media: Audiences, Spirits, and Magic in Popular Culture. Routledge. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780203836392.
Hills, Matt. 2005. The Pleasures of Horror. Continuum.
Humphries, Reynold. 2002. The American Horror Film: An Introduction. Edinburgh University Press.
Hutchings, Peter. 1993. Hammer and beyond: The British Horror Film. Manchester University Press.
Hutchings, Peter. 2008. The A to Z of Horror Cinema. The A to Z Guide Series. Scarecrow Press.
Hutchings, Peter. 2013. The Horror Film. Inside film. Routledge.
Jackson, Rosemary. 1981. Fantasy: The Literature of Subversion. New accents. Methuen.
Jancovich, Mark. 1992. Horror. Batsford cultural studies. B.T.Batsford.
Jancovich, Mark. 1996. Rational Fears: American Horror in the 1950s. Manchester University Press.
Jancovich, Mark and Myilibrary. 2002. Horror, the Film Reader. In Focus-Routledge Film Readers. Routledge. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D40846.
Johnson, Catherine. 2005. Telefantasy. BFI Publishing.
Jones, Steve. 2013. Torture Porn: Popular Horror after Saw. Palgrave Macmillan.
Jowett, Lorna, and Stacey Abbott. 2013. TV Horror: Investigating the Darker Side of the Small Screen. I.B. Tauris.
King, Geoff. 2005. The Spectacle of the Real: From Hollywood to ‘reality’ TV and Beyond. Intellect. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781841509181.
Koven, Mikel J. n.d. ‘Most Haunted and the Convergence of Traditional Belief and Popular Television.’ Folklore 118 (2): 83–202. http://proxy.library.lincoln.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=25902137&site=eds-live&scope=site.
Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. Columbia.
Lerner, Neil William. 2010. Music in the Horror Film: Listening to Fear. Routledge music and Screen media series. Routledge.
Levina, Marina, and Diem-My T. Bui. 2013. Monster Culture in the 21st Century: A Reader. Bloomsbury Academic.
Luckhurst, Roger. 2014. Alien. BFI film classics. Palgrave Macmillan on behalf of the British Film Institute.
McRoy, Jay. 2005. Japanese Horror Cinema. Edinburgh University Press.
McRoy, Jay. 2008. Nightmare Japan: Contemporary Japanese Horror Cinema. Editions Rodopi B.V.
Mendik, Xavier, and Graeme Harper. 2000. Unruly Pleasures: The Cult Film and Its Critics. FAB Press.
Mendlesohn, Farah, and Edward James. 2009. A Short History of Fantasy. Middlesex University Press.
Ndalianis, Angela. 2012. The Horror Sensorium: Media and the Senses. McFarland & Co. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780786490431.
Newman, Kim. 1988. Nightmare Movies: A Critical History of the Horror Film, 1968-88. New ed. Bloomsbury.
Peirse, Alison, and Daniel Martin. 2013. Korean Horror Cinema. Edinburgh University Press.
Pheasant-Kelly, Frances. 2013. Fantasy Film Post 9/11. Palgrave Macmillan. Ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780230392137.
Pilar Blanco, Marâia del, and Esther Peeren. 2010. Popular Ghosts: The Haunted Spaces of Everyday Culture. Continuum.
Pinedo, Isabel Cristina. 1997. Recreational Terror: Women and the Pleasures of Horror Film Viewing. State University of New York Press.
Pirie, David. 2008. A New Heritage of Horror: The English Gothic Cinema. I. B. Tauris.
Powell, Anna and Myilibrary. 2005. Deleuze and Horror Film. Edinburgh University Press. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D15425.
Prince, Stephen. 2004. The Horror Film. Rutgers depth of field series. Rutgers University Press.
Schneider, Steven Jay. 2003. Fear without Frontiers: Horror Cinema across the Globe. FAB Press.
Schneider, Steven Jay and Myilibrary. 2004. Horror Film and Psychoanalysis: Freud’s Worst Nightmare. Cambridge studies in film. Cambridge University Press. Book; e-book. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D54112.
Schneider, Steven Jay, and Tony Williams. 2005. Horror International. Contemporary approaches to film and Television. Wayne State University Press.
Sedlmayr, Gerold, and Nicole Waller, eds. 2014. Politics in Fantasy Media: Essays on Ideology and Gender in Fiction, Film, Television and Games. McFarland & Company, Inc., Publishers.
Silver, Alain, and James Ursini. 2000. Horror Film Reader. Limelight Editions.
Skal, David J. 1994. The Monster Show: A Cultural History of Horror. Plexus.
Spooner, Catherine. 2006. Contemporary Gothic. Focus on contemporary issues. Reaktion. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9781861895585.
Spooner, Catherine, Emma McEvoy, and Myilibrary. 2007. The Routledge Companion to Gothic. Routledge. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D101806.
Thacker, Eugene. 2011. In the Dust of This Planet. Horror of philosophy. Zero Books.
Tibbetts, John C. 2011. The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media. Palgrave Macmillan. Book; ebook. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780230337961.
Trigg, Dylan. 2014. The Thing: A Phenomenology of Horror. Zero Books.
Tudor, Andrew. 1989. Monsters and Mad Scientists: A Cultural History of the Horror Movie. Basil Blackwell.
Walters, James. 2011. Fantasy Film: A Critical Introduction. English edition. Berg.
Wells, Paul. 2000. The Horror Genre: From Beelzebub to Blair Witch. Short cuts. London, Wallflower.
Wetmore, Kevin J. 2012. Post-9/11 Horror in American Cinema. Continuum.
Wheatley, Helen. 2006. Gothic Television. Manchester University Press.
Williams, Gilda. 2007. The Gothic. Documents of contemporary art. Whitechapel.
Williamson, Milly. 2005. The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy. Wallflower Press.
Worland, Rick. 2007. The Horror Film: An Introduction. Blackwell Publishing.
Worley, Alec. 2005. Empires of the Imagination: A Critical Survey of Fantasy Cinema from Georges Mâeliáes to The Lord of the Rings. McFarland & Co.
