Allmer, Patricia, Emily Brick, and D. Huxley, eds. 2012a. European Nightmares: Horror Cinema in Europe since 1945. London: Wallflower Press.
Allmer, Patricia, Emily Brick, and D. Huxley, eds. 2012b. European Nightmares: Horror Cinema in Europe since 1945. London: Wallflower Press.
Aston, James, and John Walliss, eds. 2013. To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror. Jefferson, North Carolina: McFarland & Company.
Badley, Linda. 1995. Film, Horror, and the Body Fantastic. Vol. Contributions to the study of popular culture. Westport, Conn: Greenwood Press.
Balmain, Colette. 2008. Introduction to Japanese Horror Film. Edinburgh: Edinburgh University Press.
Benson-Allott, C. 2015. ‘Dreadful Architecture: Zones of Horror in Alien and Lee Bontecous Wall Sculptures’. Journal of Visual Culture 14(3):267–78. doi: 10.1177/1470412915607926.
Blanco, Marâia del Pilar, and Esther Peeren. 2013. The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. New York: Bloomsbury Academic.
Botting, Fred. 2011. Limits of Horror: Technology, Bodies, Gothic. Manchester: Manchester University Press.
Botting, Fred. 2014. Gothic. Vol. The new critical idiom. Second edition. London: Routledge.
Botting, Fred, and Dale Townshend. 2004. Gothic: Critical Concepts in Literary and Cultural Studies. Vol. Critical concepts in literary and cultural studies. London: Routledge.
Bourgault du Coudray, Chantal. 2006. The Curse of the Werewolf: Fantasy, Horror and the Beast Within. London: I. B. Tauris.
Briefel, Aviva, and Sam J. Miller, eds. 2011. Horror after 9/11: World of Fear, Cinema of Terror. 1st ed. Austin, Tex: University of Texas Press.
Butler, David. 2009. Fantasy Cinema: Impossible Worlds on Screen. Vol. Short cuts. London: Wallflower Press.
Carroll, Noèel and Myilibrary. 1990. The Philosophy of Horror, or, Paradoxes of the Heart. New York: Routledge.
Cavallaro, Dani. 2002. The Gothic Vision: Three Centuries of Horror, Terror and Fear. London: Continuum.
Cherry, Brigid. 2009. Horror. Vol. Routledge film guidebooks. London: Routledge.
Cherry, Brigid, Peter Howell, and Caroline Ruddell. 2010. Twenty-First-Century Gothic. Newcastle: Cambridge Scholars.
Chibnall, Steve, Julian Petley, and Myilibrary. 2002. British Horror Cinema. Vol. British popular cinema. London: Routledge.
Clover, Carol J. 1992. Men Women and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton University Press.
Comentale, Edward P., and Aaron Jaffe, eds. 2014. The Year’s Work at the Zombie Research Center. Vol. The year’s work: studies in fan culture and cultural theory. Bloomington, Ind: Indiana University Press.
Conrich, Ian. 2010. Horror Zone: The Cultural Experience of Contemporary Horror Cinema. London: I. B. Tauris.
Creed, Barbara. 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. Vol. Popular fiction series. London: Routledge.
Creed, Barbara. 2005. Phallic Panic: Film, Horror and the Primal Uncanny. Carlton, Victoria: Melbourne University Press.
Elferen, Isabella van. 2012. Gothic Music: The Sounds of the Uncanny. Vol. Gothic literary studies. Cardiff: University of Wales Press.
Eugenie Brinkema. n.d. ‘Journal of Visual Culture’. 14.
Fahy, Thomas Richard. 2012. The Philosophy of Horror. Vol. The philosophy of popular culture. Lexington, Ky: University Press of Kentucky.
Fowkes, Katherine A. 2010. The Fantasy Film. Vol. New approaches to film genre. Chichester: Wiley-Blackwell.
Freeland, Cynthia A. 2000. The Naked and the Undead: Evil and the Appeal of Horror. Vol. Thinking through cinema. Boulder, Colo: Westview Press.
Freud, Sigmund. 1919. ‘“The Uncanny”’.
Freud, Sigmund, David McLintock, and Hugh Haughton. 2003. The Uncanny. Vol. Penguin classics. New York: Penguin Books.
Furby, Jacqueline, and Claire Hines. 2012. Fantasy. Vol. Routledge film guidebooks. London: Routledge.
Gelder, Ken. 2000. Horror Reader. Routledge.
Grant, Barry Keith. 1996. The Dread of Difference: Gender and the Horror Film. Austin, TX: University of Texas Press.
Grant, Barry Keith. 2003. Film Genre Reader III. Austin, Tex: University of Texas Press.
Grant, Barry Keith, and Christopher Sharrett. 2004. Planks of Reason: Essays on the Horror Film. Rev. ed. Lanham, Md: Scarecrow Press.
Halfyard, Janet K. 2012. The Music of Fantasy Cinema. Vol. Genre, music and sound. Sheffield: Equinox.
Hand, Richard J., and Jay McRoy. 2007. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester: Manchester University Press.
Hantke, Steffen, ed. 2010. American Horror Film: The Genre at the Turn of the Millennium. Jackson: University Press of Mississippi.
Hayward, Philip. 2009. Terror Tracks: Music, Sound and Horror Cinema. Vol. Genre, music and sound. London: Equinox.
Hill, Annette. 2011. Paranormal Media: Audiences, Spirits, and Magic in Popular Culture. London: Routledge.
Hills, Matt. 2005. The Pleasures of Horror. London: Continuum.
Humphries, Reynold. 2002. The American Horror Film: An Introduction. Edinburgh: Edinburgh University Press.
Hutchings, Peter. 1993. Hammer and beyond: The British Horror Film. Manchester: Manchester University Press.
Hutchings, Peter. 2008. The A to Z of Horror Cinema. Vol. The A to Z Guide Series. Lanham, MD: Scarecrow Press.
Hutchings, Peter. 2013. The Horror Film. Vol. Inside film. Abingdon: Routledge.
Jackson, Rosemary. 1981. Fantasy: The Literature of Subversion. Vol. New accents. London: Methuen.
Jancovich, Mark. 1992. Horror. Vol. Batsford cultural studies. B.T.Batsford.
Jancovich, Mark. 1996. Rational Fears: American Horror in the 1950s. Manchester: Manchester University Press.
Jancovich, Mark and Myilibrary. 2002. Horror, the Film Reader. Vol. In Focus-Routledge Film Readers. London: Routledge.
Johnson, Catherine. 2005. Telefantasy. London: BFI Publishing.
Jones, Steve. 2013. Torture Porn: Popular Horror after Saw. Basingstoke: Palgrave Macmillan.
Jowett, Lorna, and Stacey Abbott. 2013. TV Horror: Investigating the Darker Side of the Small Screen. London: I.B. Tauris.
King, Geoff. 2005. The Spectacle of the Real: From Hollywood to ‘reality’ TV and Beyond. Bristol: Intellect.
Koven, Mikel J. n.d. ‘Most Haunted and the Convergence of Traditional Belief and Popular Television.’ Folklore 118(2):83–202.
Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. Columbia.
Lerner, Neil William. 2010. Music in the Horror Film: Listening to Fear. Vol. Routledge music and screen media series. London: Routledge.
Levina, Marina, and Diem-My T. Bui. 2013. Monster Culture in the 21st Century: A Reader. London: Bloomsbury Academic.
Luckhurst, Roger. 2014. Alien. Vol. BFI film classics. London: Palgrave Macmillan on behalf of the British Film Institute.
McRoy, Jay. 2005. Japanese Horror Cinema. Edinburgh: Edinburgh University Press.
McRoy, Jay. 2008. Nightmare Japan: Contemporary Japanese Horror Cinema. Amsterdam: Editions Rodopi B.V.
Mendik, Xavier, and Graeme Harper. 2000. Unruly Pleasures: The Cult Film and Its Critics. Guildford: FAB Press.
Mendlesohn, Farah, and Edward James. 2009. A Short History of Fantasy. London: Middlesex University Press.
Ndalianis, Angela. 2012. The Horror Sensorium: Media and the Senses. Jefferson, NC: McFarland & Co.
Newman, Kim. 1988. Nightmare Movies: A Critical History of the Horror Film, 1968-88. New ed. London: Bloomsbury.
Peirse, Alison, and Daniel Martin. 2013. Korean Horror Cinema. Edinburgh: Edinburgh University Press.
Pheasant-Kelly, Frances. 2013. Fantasy Film Post 9/11. Basingstoke: Palgrave Macmillan.
Pilar Blanco, Marâia del, and Esther Peeren. 2010. Popular Ghosts: The Haunted Spaces of Everyday Culture. London: Continuum.
Pinedo, Isabel Cristina. 1997. Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany, N.Y.: State University of New York Press.
Pirie, David. 2008. A New Heritage of Horror: The English Gothic Cinema. London: I. B. Tauris.
Powell, Anna and Myilibrary. 2005. Deleuze and Horror Film. Edinburgh: Edinburgh University Press.
Prince, Stephen. 2004. The Horror Film. Vol. Rutgers depth of field series. New Brunswick, N.J.: Rutgers University Press.
Schneider, Steven Jay. 2003. Fear without Frontiers: Horror Cinema across the Globe. Godalming: FAB Press.
Schneider, Steven Jay and Myilibrary. 2004. Horror Film and Psychoanalysis: Freud’s Worst Nightmare. Vol. Cambridge studies in film. New York: Cambridge University Press.
Schneider, Steven Jay, and Tony Williams. 2005. Horror International. Vol. Contemporary approaches to film and television. Detroit: Wayne State University Press.
Sedlmayr, Gerold, and Nicole Waller, eds. 2014. Politics in Fantasy Media: Essays on Ideology and Gender in Fiction, Film, Television and Games. Jefferson, North Carolina: McFarland & Company, Inc., Publishers.
Silver, Alain, and James Ursini. 2000. Horror Film Reader. New York: Limelight Editions.
Skal, David J. 1994. The Monster Show: A Cultural History of Horror. London: Plexus.
Spooner, Catherine. 2006. Contemporary Gothic. Vol. Focus on contemporary issues. London: Reaktion.
Spooner, Catherine, Emma McEvoy, and Myilibrary. 2007. The Routledge Companion to Gothic. London: Routledge.
Thacker, Eugene. 2011. In the Dust of This Planet. Vol. Horror of philosophy. Winchester: Zero Books.
Tibbetts, John C. 2011. The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media. New York: Palgrave Macmillan.
Trigg, Dylan. 2014. The Thing: A Phenomenology of Horror. Winchester: Zero Books.
Tudor, Andrew. 1989. Monsters and Mad Scientists: A Cultural History of the Horror Movie. Oxford: Basil Blackwell.
Walters, James. 2011. Fantasy Film: A Critical Introduction. English edition. Oxford: Berg.
Wells, Paul. 2000. The Horror Genre: From Beelzebub to Blair Witch. Vol. Short cuts. London, Wallflower.
Wetmore, Kevin J. 2012. Post-9/11 Horror in American Cinema. London: Continuum.
Wheatley, Helen. 2006. Gothic Television. Manchester: Manchester University Press.
Williams, Gilda. 2007. The Gothic. Vol. Documents of contemporary art. London: Whitechapel.
Williamson, Milly. 2005. The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy. London: Wallflower Press.
Worland, Rick. 2007. The Horror Film: An Introduction. Oxford: Blackwell Publishing.
Worley, Alec. 2005. Empires of the Imagination: A Critical Survey of Fantasy Cinema from Georges Mâeliáes to The Lord of the Rings. Jefferson, N.C.: McFarland & Co.
