American Cinematographer (n.d.) Available from https://publications.ebsco.com/details/3486.
Atkinson, D., Overton, J. and Cavagin, T. (1995) The Sound production handbook. London: Blueprint.
Bordwell, D. and Thompson, K. (2013) Film art: an introduction. Tenth edition, McGraw-Hill international edition. New York: McGraw-Hill.
Brandt, G.W. (1993) British television drama in the 1980s. Cambridge: Cambridge University Press.
British Film Institute (2013) The documentary film book. B. Winston (ed.). Basingstoke: Palgrave Macmillan on behalf of the British Film Institute.
Chapman, J. (2007) Documentary in practice: filmmakers and production choices. Cambridge: Polity Press.
Chion, M. and Gorbman, C. (1994) Audio-vision: sound on screen. New York: Columbia University Press.
Crisp, M. (1993) The practical director. Oxford: Focal Press.
Dancyger, K. (2002) The technique of film and video editing: history, theory, and practice. 4th ed. Amsterdam: Focal Press.
Figgis, M. (2007) Digital film-making. London: Faber and Faber.
Frensham, R.G. (2008) Screenwriting. 3rd ed. London: Teach Yourself.
Hall, B. (2015) Understanding cinematography. Ramsbury: The Crowood Press.
Harcourt, A. (1986) The Independent producer: film and television. London: Faber.
Jarvis, P. (1988) Shooting on location. Rev. ed. BBC Television Training.
Kerner, M.M. (1989) The art of the sound effects editor. London: Focal.
Lees, N. (2010) Greenlit: developing factual/reality TV ideas from concept to pitch. Vol. Professional media practice. London: Methuen Drama.
Malkiewicz, K. and Gryboski, B.J. (1992) Film lighting: talks with Hollywoods cinematographers and gaffers. New York: A Fireside Book/Simon & Schuster.
Mascelli, J.V. (1965) The five Cs of cinematography: motion picture filming techniques. Los Angeles: Silman-James Press.
Maschwitz, S. (2007) The DV rebel’s guide: an all-digital approach to making killer action movies on the cheap. Berkeley, CA: Peachpit Press.
McKee, R. (1997) Story: substance, structure, style and the principles of screenwriting. HarperAudio.
Millerson, G. (1991) Lighting for video. 3rd ed. Vol. Media manuals. Oxford: Focal Press.
Millerson, G. (1994) Video camera techniques. 2nd ed. Vol. Media manuals. Oxford: Focal.
Millerson, G. (2001) Video production handbook. 3rd ed. Oxford: Focal.
Orlebar, J. (2011a) The television handbook. 4th ed. Vol. Media practice. London: Routledge.
Orlebar, J. (2011b) The television handbook. 4th ed. Vol. Media practice. London: Routledge.
Rabiger, M. (2008) Directing: film techniques and aesthetics. 4th ed. Oxford: Focal Press.
Rabiger, M. (2009) Directing the documentary. 5th ed. Amsterdam: Elsevier/Focal Press.
Rea, P.W. and Irving, D.K. (2010a) Producing and directing the short film and video. 4th ed. Amsterdam: Focal.
Rea, P.W. and Irving, D.K. (2010b) Producing and directing the short film and video. 4th ed. Amsterdam: Focal.
The ASC -- The ASC Magazine: Online Magazine Archives (n.d.) Available from http://www.theasc.com/ac_magazine/archive.php.
Wheeler, P. (2009) High definition cinematography. 3rd ed. Oxford: Focal Press.
Wheeler, P. and ProQuest (Firm) (2005a) Practical cinematography. Second edition. Oxford: Elsevier/Focal Press.
Wheeler, P. and ProQuest (Firm) (2005b) Practical cinematography. Second edition. Oxford: Elsevier/Focal Press.
Winston, B. (2000) Lies, damn lies and documentaries. London: British Film Institute.
Winston, B. and British Film Institute (1995a) Claiming the real: the Griersonian documentary and its legitimations. London: British Film Institute.
Winston, B. and British Film Institute (1995b) Claiming the real: the Griersonian documentary and its legitimations. London: British Film Institute.
Wyatt, H. and Amyes, T. (2005) Audio post production for television and film: an introduction to technology and techniques. 3rd ed. Oxford: Focal Press.