‘American Cinematographer’. n. pag. Web. <https://publications.ebsco.com/details/3486>.
Atkinson, Don, John Overton, and Terry Cavagin. The Sound Production Handbook. London: Blueprint, 1995. Print.
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Tenth edition, McGraw-Hill international edition. New York: McGraw-Hill, 2013. Print.
Brandt, George W. British Television Drama in the 1980s. Cambridge: Cambridge University Press, 1993. Print.
British Film Institute. The Documentary Film Book. Ed. Brian Winston. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute, 2013. Print.
Chapman, Jane. Documentary in Practice: Filmmakers and Production Choices. Cambridge: Polity Press, 2007. Print.
Chion, Michel, and Claudia Gorbman. Audio-Vision: Sound on Screen. New York: Columbia University Press, 1994. Print.
Crisp, Mike. The Practical Director. Oxford: Focal Press, 1993. Print.
Dancyger, Ken. The Technique of Film and Video Editing: History, Theory, and Practice. 4th ed. Amsterdam: Focal Press, 2002. Print.
Figgis, Mike. Digital Film-Making. London: Faber and Faber, 2007. Print.
Frensham, Raymond G. Screenwriting. 3rd ed. London: Teach Yourself, 2008. Print.
Hall, Brian. Understanding Cinematography. Ramsbury: The Crowood Press, 2015. Print.
Harcourt, Amanda. The Independent Producer: Film and Television. London: Faber, 1986. Print.
Jarvis, Peter. Shooting on Location. Rev. ed. BBC Television Training, 1988. Print.
Kerner, Marvin M. The Art of the Sound Effects Editor. London: Focal, 1989. Print.
Lees, Nicola. Greenlit: Developing Factual/Reality TV Ideas from Concept to Pitch. Professional media practice. London: Methuen Drama, 2010. Print.
Malkiewicz, Kris, and Barbara J. Gryboski. Film Lighting: Talks with Hollywoods Cinematographers and Gaffers. New York: A Fireside Book/Simon & Schuster, 1992. Print.
Mascelli, Joseph V. The Five Cs of Cinematography: Motion Picture Filming Techniques. Los Angeles: Silman-James Press, 1965. Print.
Maschwitz, Stu. The DV Rebel’s Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap. Berkeley, CA: Peachpit Press, 2007. Print.
McKee, Robert. Story: Substance, Structure, Style and the Principles of Screenwriting. HarperAudio, 1997. Print.
Millerson, Gerald. Lighting for Video. 3rd ed. Media manuals. Oxford: Focal Press, 1991. Print.
---. Video Camera Techniques. 2nd ed. Media manuals. Oxford: Focal, 1994. Print.
---. Video Production Handbook. 3rd ed. Oxford: Focal, 2001. Print.
Orlebar, Jeremy. The Television Handbook. 4th ed. Media practice. London: Routledge, 2011. Print.
---. The Television Handbook. 4th ed. Media practice. London: Routledge, 2011. Print.
Rabiger, Michael. Directing: Film Techniques and Aesthetics. 4th ed. Oxford: Focal Press, 2008. Print.
---. Directing the Documentary. 5th ed. Amsterdam: Elsevier/Focal Press, 2009. Print.
Rea, Peter W., and David K. Irving. Producing and Directing the Short Film and Video. 4th ed. Amsterdam: Focal, 2010. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780080890029>.
---. Producing and Directing the Short Film and Video. 4th ed. Amsterdam: Focal, 2010. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780080890029>.
‘The ASC -- The ASC Magazine: Online Magazine Archives’. N.p., n.d. Web. <http://www.theasc.com/ac_magazine/archive.php>.
Wheeler, Paul. High Definition Cinematography. 3rd ed. Oxford: Focal Press, 2009. Print.
Wheeler, Paul and ProQuest (Firm). Practical Cinematography. Second edition. Oxford: Elsevier/Focal Press, 2005. Web. <https://proxy.library.lincoln.ac.uk/login?qurl=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780080480152>.
---. Practical Cinematography. Second edition. Oxford: Elsevier/Focal Press, 2005. Web. <https://proxy.library.lincoln.ac.uk/login?qurl=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780080480152>.
Winston, Brian. Lies, Damn Lies and Documentaries. London: British Film Institute, 2000. Print.
Winston, Brian and British Film Institute. Claiming the Real: The Griersonian Documentary and Its Legitimations. London: British Film Institute, 1995. Print.
---. Claiming the Real: The Griersonian Documentary and Its Legitimations. London: British Film Institute, 1995. Print.
Wyatt, Hilary, and Tim Amyes. Audio Post Production for Television and Film: An Introduction to Technology and Techniques. 3rd ed. Oxford: Focal Press, 2005. Print.