Aldrich M, Atterbury P, and Bard Graduate Center for Studies in the Decorative Arts, A. W. N. Pugin: Master of Gothic Revival (Yale University Press 1995)
Anscombe I, Arts and Crafts Style (Phaidon Press 1991)
Barringer TJ, Reading the Pre-Raphaelites (Yale University Press 2003)
‘BBC - Standard Grade Bitesize Chemistry - Corrosion : Revision’ <http://www.bbc.co.uk/bitesize/standard/chemistry/metals/corrosion/revision/1/>
Brooks C, The Gothic Revival, vol Art&ideas (Phaidon 1999)
Butler C, Modernism: A Very Short Introduction, vol Very short introductions (Oxford University Press 2010) <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780191576058>
Callen A, The Art of Impressionism: Painting Technique and the Making of Modernity (Yale University Press 2000)
‘Care of Alabaster’ <http://www.nps.gov/museum/publications/conserveogram/15-01.pdf>
‘Corpus Vitrearum Medii Aevi: Welcome to the CVMA’ <http://www.cvma.ac.uk/about/index.html>
Davey P, Arts and Crafts Architecture (Phaidon 1995)
Doehne E and Price CA, Stone Conservation: An Overview of Current Research (2nd edition, Getty Conservation Institute 2010) <http://www.getty.edu/conservation/publications_resources/pdf_publications/stone_cons_2nd_edit.html>
Dr. B. R. Mann and M. M. McMillan, ‘The Chemistry of the Leather Industry (Mostly Modern, Still Useful)’ <https://www.nzic.org.nz/book-animals>
Eastaugh N, The Pigment Compendium (Elsevier Butterworth-Heinemann 2004) <http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780080473765>
——, Pigment Compendium: A Dictionary and Optical Microscopy of Historical Pigments ([New edition], Routledge 2013)
Elliott B and Helland J, Women Artists and the Decorative Arts, 1880-1935: The Gender of Ornament (Ashgate 2003)
Escritt S, Art Nouveau, vol Art&ideas (Phaidon 2000)
Gombrich EH, The Story of Art (16th ed. (revised, expanded and redesigned), Phaidon 1995)
Greenhalgh P, Modernism in Design, vol Critical views (Reaktion Books 1990)
——, Art Nouveau, 1890-1914 (V&A 2000)
‘Home | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art’ <http://www.metmuseum.org/toah/>
‘Home Page in Oxford Art Online’ <http://www.oxfordartonline.com.proxy.library.lincoln.ac.uk/subscriber/;jsessionid=60C13AF235D65047F82EBC01723F16FF>
‘How to Care for Glass and Ceramics’ <https://www.canada.ca/en/conservation-institute/services/preventive-conservation/guidelines-collections/ceramics-glass-preventive-conservation.html>
‘Indigenous Materials - Bone, Ivory, Shell, Quills, Feathers and Other Similar Materials’ <https://www.canada.ca/en/conservation-institute/services/care-objects/natural-history-collections-feathers-quills-ivory-bone.html>
‘Internet Archive: Digital Library of Free Books, Movies, Music & Wayback Machine’ <https://archive.org/>
Jencks C, The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture (Wiley 2011)
Kite M and Thomson R, Conservation of Leather: And Related Materials (Elsevier Butterworth-Heinemann 2006) <https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780080454665>
Lennard F and Ewer P, Textile Conservation: Advances in Practice, vol Butterworth-Heinemann series in conservation and museology (Butterworth-Heinemann 2010) <https://ebookcentral-proquest-com.proxy.library.lincoln.ac.uk/lib/ulinc/detail.action?docID=572068>
Lewis MJ, The Gothic Revival, vol World of Art (Thames & Hudson 2002)
Livingstone K, Parry L, and Victoria and Albert Museum, International Arts and Crafts (V&A Publications 2005)
Marte F, Pequignot A and von Endt DW, ‘Arsenic in Taxidermy Collections: History, Detection, and Management’ (2006) 21 Collection Forum 143 <https://repository.si.edu/bitstream/handle/10088/8134/mci_Collections_Forum_2%2c_2006.pdf?sequence=1&isAllowed=y>
Martindale P, United Kingdom Institute for Conservation of Historic and Artistic Works, and Day Conference of the Wall Paintings Section of the United Kingdom Institute for Conservation of Historic and Artistic Works, The Analysis of Pigments and Plasters: Its Relevance to Current Wall Painting and Stone Conservation Practice : Post-Prints of a Day Conference of the Wall Paintings Section of the United Kingdom Institute for Conservation of Historic and Artistic Works, Held on 22 February 1997, at the British Museum, London.Its Relevance to Current Wall Painting and Stone Conservation Practice (Cathedral Communications 1997)
May E and Jones M, Conservation Science: Heritage Materials (Royal Society of Chemists 2006) <https://ebookcentral.proquest.com/lib/ulinc/detail.action?docID=1185391>
‘Modern Chemistry Techniques Save Ancient Art - Scientific American’ <http://www.scientificamerican.com/article/modern-chemistry-techniques-save-ancient-art/>
National Park Service, ‘Long-Term Effects Of Acid-Cleaning Archeological Ceramics’ (1999) 6 Conserve O Gram 1 <http://www.nps.gov/museum/publications/conserveogram/06-06.pdf>
Parissien S, Adam Style (Phaidon 1992)
——, Palladian Style, vol Life style series (pbk ed, Phaidon Press 2000)
Parry L, Textiles of the Arts and Crafts Movement (Thames and Hudson 1988)
‘Pigments through the Ages - Detailed Pigment Histories, Recipes’ <http://www.webexhibits.org/pigments/>
Price H, ‘The Chemistry of Dyes’ (2002) <http://www.chm.bris.ac.uk/webprojects2002/price/contents.htm>
‘Publications | Natural Sciences Collections Association’ <http://natsca.org/publications>
Rosewell R, Medieval Wall Paintings in English & Welsh Churches (Boydell & Brewer 2008)
‘Search the Collections | Victoria and Albert Museum’ <http://collections.vam.ac.uk/>
Selwyn L, Metals and Corrosion: A Handbook for the Conservation Professional (Canadian Conservation Institute 2004)
Shokralla S, Singer GAC and Hajibabaei M, ‘Direct PCR Amplification and Sequencing of Specimens’ DNA from Preservative Ethanol’ (2010) 48 Biotechniques - The international journal of life sciences methods 305 <https://www.tandfonline.com/doi/full/10.2144/000113362>
Snodin M, Styles J, and Victoria and Albert Museum, Design & the Decorative Arts: Tudor and Stuart Britain 1500-1714 (V&A Publications 2004)
Sparke P, An Introduction to Design and Culture: 1900 to the Present (2nd ed, Routledge 2004)
Stephen Breuer, ‘The Chemistry of Pottery - EiC July 2012’ (2012) <https://edu.rsc.org/feature/the-chemistry-of-pottery/2020245.article>
‘Stone Deterioration Visual Glossary’ <http://www.international.icomos.org/publications/monuments_and_sites/15/pdf/Monuments_and_Sites_15_ISCS_Glossary_Stone.pdf>
‘The Gentleman and Cabinet-Maker’s Director : Being a Large Collection of ... Designs of Household Furniture in the Gothic, Chinese and Modern Taste ... : To Which Is Prefixed, a Short Explanation of the Five Orders of Architecture and Rules of Perspective, with Proper Directions for Executing the Most Difficult Pieces, the Mouldings Being Exhibited at Large, and the Dimensions of Each Design Specified ... : Chippendale, Thomas, 1718-1779 : Free Download & Streaming : Internet Archive’ <https://archive.org/details/gentlemancabine00Chip>
The Pre-Raphaelite Vision (Phaidon 1994)
Timar-Balazsy A and Eastop D, Chemical Principles of Textile Conservation, vol Butterworth-Heinemann series in conservation and museology (Butterworth-Heinemann 1998) <https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780080501048>
Vaughan W, Romantic Art, vol World of art library (Thames and Hudson 1978)
Vickery A, Behind Closed Doors: At Home in Georgian England (Yale University Press 2009)
Wilk C, Modernism: Designing a New World : 1914-1939 (V&A Publications 2006)
Wolf N and Walther IF, Painting of the Romantic Era, vol Epochs&styles (Taschen 1999)
Woodham JM, Twentieth Century Design, vol Oxford history of art (Oxford University Press 1997)
