1
Gombrich EH. The story of art. 16th ed. (revised, expanded and redesigned). London: : Phaidon 1995.
2
Snodin M, Styles J, Victoria and Albert Museum. Design & the decorative arts: Tudor and Stuart Britain 1500-1714. London: : V&A Publications 2004.
3
Parissien S. Palladian style. pbk. ed. London: : Phaidon Press 2000.
4
Vickery A. Behind closed doors: at home in Georgian England. New Haven, Conn: : Yale University Press 2009.
5
Parissien S. Adam style. London: : Phaidon 1992.
6
The gentleman and cabinet-maker’s director : being a large collection of ... designs of household furniture in the Gothic, Chinese and modern taste ... : to which is prefixed, a short explanation of the five orders of architecture and rules of perspective, with proper directions for executing the most difficult pieces, the mouldings being exhibited at large, and the dimensions of each design specified ... : Chippendale, Thomas, 1718-1779 : Free Download & Streaming : Internet Archive. https://archive.org/details/gentlemancabine00Chip
7
Vaughan W. Romantic art. London: : Thames and Hudson 1978.
8
Wolf N, Walther IF. Painting of the Romantic Era. Koln: : Taschen 1999.
9
Brooks C. The Gothic revival. London: : Phaidon 1999.
10
Lewis MJ. The gothic revival. London: : Thames & Hudson 2002.
11
Aldrich M, Atterbury P, Bard Graduate Center for Studies in the Decorative Arts. A. W. N. Pugin: master of Gothic revival. New Haven: : Yale University Press 1995.
12
Barringer TJ. Reading the Pre-Raphaelites. New Haven, Conn: : Yale University Press 2003.
13
The Pre-raphaelite vision. London: : Phaidon 1994.
14
Livingstone K, Parry L, Victoria and Albert Museum. International arts and crafts. London: : V&A Publications 2005.
15
Elliott B, Helland J. Women artists and the decorative arts, 1880-1935: the gender of ornament. Aldershot: : Ashgate 2003.
16
Parry L. Textiles of the arts and crafts movement. London: : Thames and Hudson 1988.
17
Anscombe I. Arts and crafts style. Oxford: : Phaidon Press 1991.
18
Callen A. The art of Impressionism: painting technique and the making of modernity. New Haven: : Yale University Press 2000.
19
Sparke P. An introduction to design and culture: 1900 to the present. 2nd ed. New York: : Routledge 2004.
20
Escritt S. Art nouveau. London: : Phaidon 2000.
21
Greenhalgh P. Art nouveau, 1890-1914. London: : V&A 2000.
22
Davey P. Arts and crafts architecture. London: : Phaidon 1995.
23
Woodham JM. Twentieth century design. Oxford: : Oxford University Press 1997.
24
Greenhalgh P. Modernism in design. London: : Reaktion Books 1990.
25
Butler C. Modernism: a very short introduction. Oxford: : Oxford University Press 2010. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780191576058
26
Jencks C. The story of post-modernism: five decades of the ironic, iconic and critical in architecture. Chichester: : Wiley 2011.
27
Wilk C. Modernism: designing a new world : 1914-1939. London: : V&A Publications 2006.
28
Home Page in Oxford Art Online. http://www.oxfordartonline.com.proxy.library.lincoln.ac.uk/subscriber/;jsessionid=60C13AF235D65047F82EBC01723F16FF
29
Home | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art. http://www.metmuseum.org/toah/
30
Search the Collections | Victoria and Albert Museum. http://collections.vam.ac.uk/
31
Internet Archive: Digital Library of Free Books, Movies, Music & Wayback Machine. https://archive.org/
32
Corpus Vitrearum Medii Aevi: Welcome to the CVMA. http://www.cvma.ac.uk/about/index.html
33
National Park Service. Long-Term Effects Of Acid-Cleaning Archeological Ceramics. Conserve O Gram 1999;6:1–3.http://www.nps.gov/museum/publications/conserveogram/06-06.pdf
34
How to Care for Glass and Ceramics. https://www.canada.ca/en/conservation-institute/services/preventive-conservation/guidelines-collections/ceramics-glass-preventive-conservation.html
35
Stephen Breuer. The chemistry of pottery - EiC July 2012. 2012.https://edu.rsc.org/feature/the-chemistry-of-pottery/2020245.article
36
May E, Jones M. Conservation science: heritage materials. Cambridge: : Royal Society of Chemists 2006. https://ebookcentral.proquest.com/lib/ulinc/detail.action?docID=1185391
37
BBC - Standard Grade Bitesize Chemistry - Corrosion : Revision. http://www.bbc.co.uk/bitesize/standard/chemistry/metals/corrosion/revision/1/
38
Selwyn L. Metals and corrosion: a handbook for the conservation professional. Ottawa: : Canadian Conservation Institute 2004.
39
Timar-Balazsy A, Eastop D. Chemical principles of textile conservation. Oxford: : Butterworth-Heinemann 1998. https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780080501048
40
Price H. The chemistry of dyes. 2002.http://www.chm.bris.ac.uk/webprojects2002/price/contents.htm
41
Lennard F, Ewer P. Textile conservation: advances in practice. Oxford: : Butterworth-Heinemann 2010. https://ebookcentral-proquest-com.proxy.library.lincoln.ac.uk/lib/ulinc/detail.action?docID=572068
42
Care of Alabaster. http://www.nps.gov/museum/publications/conserveogram/15-01.pdf
43
Doehne E, Price CA. Stone Conservation: An Overview of Current Research. 2nd edition. Los Angeles: : Getty Conservation Institute 2010. http://www.getty.edu/conservation/publications_resources/pdf_publications/stone_cons_2nd_edit.html
44
Stone deterioration visual glossary. http://www.international.icomos.org/publications/monuments_and_sites/15/pdf/Monuments_and_Sites_15_ISCS_Glossary_Stone.pdf
45
Modern Chemistry Techniques Save Ancient Art - Scientific American. http://www.scientificamerican.com/article/modern-chemistry-techniques-save-ancient-art/
46
Martindale P, United Kingdom Institute for Conservation of Historic and Artistic Works, Day Conference of the Wall Paintings Section of the United Kingdom Institute for Conservation of Historic and Artistic Works. The analysis of pigments and plasters: its relevance to current wall painting and stone conservation practice : post-prints of a Day Conference of the Wall Paintings Section of the United Kingdom Institute for Conservation of Historic and Artistic Works, held on 22 February 1997, at the British Museum, London.its relevance to current wall painting and stone conservation practice. Tisbury: : Cathedral Communications 1997.
47
Rosewell R. Medieval wall paintings in English & Welsh churches. Woodbridge: : Boydell & Brewer 2008.
48
Pigments through the Ages - detailed pigment histories, recipes. http://www.webexhibits.org/pigments/
49
Eastaugh N. The pigment compendium. Amsterdam: : Elsevier Butterworth-Heinemann 2004. http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Fwww.dawsonera.com%2Fdepp%2Freader%2Fprotected%2Fexternal%2FAbstractView%2FS9780080473765
50
Eastaugh N. Pigment compendium: a dictionary and optical microscopy of historical pigments. [New edition]. Abingdon: : Routledge 2013.
51
Shokralla S, Singer GAC, Hajibabaei M. Direct PCR amplification and sequencing of specimens’ DNA from preservative ethanol. Biotechniques - The international journal of life sciences methods 2010;48:305–6.https://www.tandfonline.com/doi/full/10.2144/000113362
52
Marte F, Pequignot A, von Endt DW. Arsenic in taxidermy collections: History, detection, and management. Collection Forum 2006;21:143–50.https://repository.si.edu/bitstream/handle/10088/8134/mci_Collections_Forum_2%2c_2006.pdf?sequence=1&isAllowed=y
53
Publications | Natural Sciences Collections Association. http://natsca.org/publications
54
Indigenous materials - Bone, Ivory, Shell, Quills, Feathers and Other Similar Materials. https://www.canada.ca/en/conservation-institute/services/care-objects/natural-history-collections-feathers-quills-ivory-bone.html
55
Kite M, Thomson R. Conservation of leather: and related materials. Amsterdam: : Elsevier Butterworth-Heinemann 2006. https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780080454665
56
Dr. B. R. Mann, M. M. McMillan. The Chemistry of the Leather Industry (mostly modern, still useful). https://www.nzic.org.nz/book-animals