[1]
Adshead-Lansdale, Janet, Layson, June, and Myilibrary, Dance history: an introduction, 2nd ed., rev.Updated. London: Routledge, 1994 [Online]. Available: http://proxy.library.lincoln.ac.uk/login?qurl=http%3A%2F%2Flib.myilibrary.com%3Fid%3D40842
[2]
Au, Susan, Ballet and modern dance, 2nd ed., vol. World of Art. New York: Thames & Hudson, 2002.
[3]
Thomas, Helen, Dance, modernity and culture: explorations in the sociology of dance. London: Routledge, 1995 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780203359730
[4]
Bremser, Martha and Sanders, Lorna, Fifty contemporary choreographers, 2nd ed., vol. Routledge Key Guides. London: Routledge, 2011.
[5]
Burt, Ramsay, The male dancer: bodies, spectacle, sexualities, 2nd ed. London: Routledge, 2007.
[6]
Carter, Alexandra and O’Shea, Janet, The Routledge dance studies reader, 2nd ed. London: Routledge, 2010.
[7]
A. Carter, Rethinking dance history: a reader. London: Routledge, 2004.
[8]
Cohen, Selma Jeanne and Matheson, Katy, Dance as a theatre art: source readings in dance history from 1581 to the present, 2nd ed. Hightstown, NJ: Dance Horizons, 1992.
[9]
Dils, Ann and Albright, Ann Cooper, Moving history/dancing cultures: a dance history reader. Middletown, Conn: Wesleyan University Press, 2001.
[10]
Copeland, Roger and Cohen, Marshall, What is dance?: readings in theory and criticism. Oxford: Oxford University Press, 1983.
[11]
Emery, Lynne Fauley and Emery, Lynne Fauley, Black dance: from 1619 to today, 2nd rev. ed. Hightstown, NJ: Princeton Book Co, 1988.
[12]
Jordan, Stephanie and Grau, Andr�ee, Europe dancing: perspectives on theatre dance and cultural identity. London: Routledge, 2000 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780203448717
[13]
Lloyd, Margaret, The Borzoi book of modern dance. [USA]: Kessinger Publishing.
[14]
Frith, Simon, Goodwin, Andrew, and Grossberg, Lawrence, Sound and vision: the music video reader. Routledge, 1993.
[15]
Reynolds, Nancy and McCormick, Malcolm, No fixed points: dance in the twentieth century. New Haven, 2003.
[16]
Stearns, Marshall Winslow, Stearns, Jean, and Bufalino, Brenda, Jazz dance: the story of American vernacular dance, 1st Da Capo Press ed. New York: Da Capo Press, 1994.
[17]
R. Climenhaga, Pina Bausch, vol. Routledge performance practitioners. London: Routledge, 2009 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780203098950
[18]
Cohen, Selma Jeanne and Dance Perspectives Foundation, International encyclopedia of dance: a project of Dance Perspectives Foundation, Inc. New York: Oxford University Press, 1998.
[19]
Cohen, Selma Jeanne, The modern dance: seven statements of belief. Middletown, Conn: Wesleyan University Press.
[20]
Copeland, Roger, Merce Cunningham: the modernizing of modern dance. London: Routledge, 2004.
[21]
Daly, Ann, Done into dance: Isadora Duncan in America. Middletown, CT: Wesleyan University press, 1995.
[22]
Noverre, Jean Georges and Beaumont, Cyril W., Letters on dancing and ballets, Facsimile ed. Alton: Dance Books, 2004.
[23]
T. DeFrantz, Dancing revelations: Alvin Ailey’s embodiment of African American culture. Oxford: Oxford University Press, 2006 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780195348354
[24]
DeFrantz, Thomas, Dancing revelations: Alvin Ailey’s embodiment of African American culture. New York: Oxford University Press, 2004 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=UniLincoln&isbn=9780195348354
[25]
Meaning in motion: new cultural studies of dance, vol. Post-contemporary interventions. Durham, NC: Duke University Press, 1997.
[26]
Dunbar, Jane, Josâe Limon. New York: Routledge, 2003.
[27]
Dunham, Katherine, Island possessed. Chicago: University of Chicago Press, 1969.
[28]
Garafola, Lynn and Baer, Nancy Van Norman, The Ballets Russes and its world. New Haven, Conn: Yale University Press, 1999.
[29]
Joseph, Charles M., Stravinsky & Balanchine: a journey of invention. New Haven, CT: Yale University Press, 2002.
[30]
McDonagh, Don, Martha Graham: a biography. Newton Abbot: David and Charles, 1974.
[31]
P. Spencer, Society and the dance: the social anthropology of process and performance. Cambridge: Cambridge University Press, 1985.
[32]
Stodelle, Ernestine, The dance technique of Doris Humphrey and its creative potential, 1st British ed. London: Dance Books, 1979.
[33]
Strong, Roy, Splendour at court: Renaissance spectacle and illusion. London: Weidenfeld and Nicolson, 1973.
[34]
Taper, Bernard, Balanchine: a biography. Berkeley, CA: University of California Press, 1996.